New York Times-bestselling writers JEFF LEMIRE (GIDEON FALLS, DESCENDER), MATT KINDT (BANG!, MIND MGMT), and internationally acclaimed artist DAVID RUB�N (ETHER, BEOWULF) unite on this original graphic novel, COSMIC DETECTIVE. An epic science fiction mystery that asks: when a God is murdered, who solves the crime?   Enter our Detective. The murder of a god threatens to tear apart the very fabric of our reality. Only our detective stands in the way of utter destruction. But will the mystery he uncovers be worse than the disaster he’s trying to avert? And will his mind crack under the revelations he’s about to uncover before he can do anything about it?

Appropriate for one or two term courses in introductory Business Statistics. With Statistics for Management, Levin and Rubin have provided a non-intimidating business statistics textbook that students can easily read and understand. Like its predecessors, the Seventh Edition includes the absolute minimum of mathematical/statistical notation necessary to teach the material. Concepts are fully explained in simple, easy-to-understand language as they are presented, making the text an excellent source from which to learn and teach. After each discussion, readers are guided through real-world examples to show how textbook principles work in professional practice.

SANTIAGO GARCIA and DAVID RUBIN unite to bring forward the myth of Beowulf, which has endured for a thousand years, inspired an epic poem, become a foundational piece of English literature, and influenced generations of authors: from J.R.R. Tolkien and Seamus Heaney to a multitude of Hollywood screenwriters. BEOWULF tells of the tale of a Scandinavian hero in lands that would become what is now Denmark and Sweden. A monster, Grendel, has arrived in the kingdom of the Danes, devouring its men and women for over a decade until Beowulf arrives to save them. GARCIA and RUBIN faithfully follow the original story for a new version that is neither revisionist nor postmodern, but captures the tone and important details of the poem, translating its potent, epic resonance and melancholy into a contemporary comic that isn't standard swords and sorcery or heroic fantasy fare, but rather an ancient story with a modern perspective that remains respectful of the source material.

Three artists explore form, energy and movement from the smallest scale that humans have discovered to the sacred geometry of nature to the realms of the human body. Informed by science, observation and intuition, the invisible is brought to light in three distinct styles developed from deep exploration and fine craft. The word Quintessence, from the ancient Greek for the mysterious 'fifth element', is now used as a descriptive term in cosmology for equally mysterious 'dark energy'. It is a fitting theme for the desire of artists to make the invisible visible and show the underlying energy sources in and around us. This is the exhibition catalog for Quintessence, Three Visions at the Ram Dass Library of the Omega Institute in Rhinebeck, New York, April 20 - October 30, 2014. The three artists are: Alicia Hunsicker, who fuses her knowledge of physics and biology with the beauty found in nature's organic forms and patterns, inspired by her residency at the Large Hadron Collider; Pamela Turczyn, who by using sacred geometry as expressed in nature, light, color, rhythm, sound and intention, imbues her paintings with vibratory codes to inspire viewers. The creator of a pantheon of two hundred deities, Janet Morgan's current work shows the conduction of life forces in and around the body. As a team they explore form, energy and movement from the tiny to the vast. Introduction by the award winning science fiction author Kim Stanley Robinson, with essays by David Rubin, independent curator, the artist John Sims, Amina Eagle, curator at the Omega Institute, and mathematician and author Michael Schneider.

The history of an aesthetic sensibility that began with Op Art and album covers; with more than seventy-five stunning color images. This eye-popping book offers a visual history of the psychedelic sensibility. In pop culture, that sensibility is associated with lava lamps, album covers, and "teashades," but it first manifested itself in the extreme colors and kaleidoscopic compositions of 1960s Op Artists. The psychedelic sensibility didn't die at the end of the 1960s; Psychedelic traces it through the day-glo colors of painters Peter Saul, Alex Grey, and Kenny Scharf, the pill and hemp leaf paintings of Fred Tomaselli, the intensified palettes of Douglas Bourgeois and Sharon Ellis, and mixed-media and new media works by younger artists in the new millennium. Although the term "psychedelic" was coined to describe hallucinatory experiences produced by drugs used psychotherapeutically, the story these images tell is about the influence of psychedelic culture on the art world-not necessarily the influence of drugs. As contemporary art evolved into a diverse and pluralistic discipline, the psychedelic evolved into a language of color and light. In Psychedelic, more than seventy-five vivid color images chart this development, exploring the art chronologically, from early Op Art through recent work using digital technology. The book, which accompanies an exhibition organized by the San Antonio Museum of Art, includes three essays that set the works in historical and cultural context. Artists include Isaac Abrams, Albert Alvarez, Richard Anuszkiewicz, Chio Aoshima, Kamrooz Aram, Jeremy Blake, Richie Budd, Gordon Cheung, Judy Chicago, George Cisneros, James Cobb, Steve DiBenedetto, Carole Feuerman, Jack Goldstein, Alex Grey, Peter Halley, Al Held, Mark Hogensen, Constance Lowe, Erik Parker, Ed Paschke, Lari Pittman, Ray Rapp, Deborah Remington, Bridget Riley, Susie Rosmarin, Alex Rubio, Sterling Ruby, Julian Stanczak, Jennifer Steinkamp, Frank Stella, Philip Taaffe, Barbara Takenaga, Fred Tomaselli, Victor Vasarely, Michael Velliquette, Andy Warhol, Robert Williams Essays by David S. Rubin, Robert C. Morgan, Daniel Pinchbeck Copublished with the San Antonio Museum of Art